Rabu, 31 Desember 2014

[T344.Ebook] Free PDF Theories of Childhood, Second Edition: An Introduction to Dewey, Montessori, Erikson, Piaget & Vygotsky (Redleaf Professional Library)By

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Understand theories of childhood to make your days with children smoother, your job easier, and your program stronger.

This best-selling resource provides clear, straightforward introductions to the foundational theories of John Dewey, Maria Montessori, Erik Erikson, Jean Piaget, and Lev Vygotsky. Each chapter highlights a theorist’s work and includes insight on how the theory impacts teaching young children today. Discussion questions and suggested readings are included to help you gain an understanding of what it means to apply each theory to your work with children.

Theories of Childhood, Second Edition:

Builds the bridge between theory and best practices in early childhood education
Supports your genuine enjoyment with children by helping you understand more about the ways they grow and learn
Includes new understandings of Vygotsky’s work
Applies the five theories to the realities of the twenty-first century

Carol Garhart Mooney has been an early childhood educator for more than forty years. She is also the author of Theories of Attachment, Use Your Words, and Swinging Pendulums.


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Kamis, 25 Desember 2014

[I439.Ebook] Free PDF Thinking About the Environment: Readings on Politics, Property and the Physical World

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Thinking About the Environment: Readings on Politics, Property and the Physical World

  • Published on: 1656
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Rabu, 24 Desember 2014

[C539.Ebook] Free PDF Electrical Transmission and Distribution Reference Book, by Central Station Engineers Of The Westinghouse Electric & Manfacturing Company

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Electrical Transmission and Distribution Reference Book, by Central Station Engineers Of The Westinghouse Electric & Manfacturing Company

  • Sales Rank: #3189471 in Books
  • Published on: 1944
  • Binding: Hardcover

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Jumat, 19 Desember 2014

[A257.Ebook] Download PDF Travel and Trade in the Middle Ages (World Almanac Library of the Middle Ages), by Fiona MacDonald

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Travel and Trade in the Middle Ages (World Almanac Library of the Middle Ages), by Fiona MacDonald

The Middle ages, from A.D. 500-1500, were once described as dark and stagnant--a thousand years without a bath. Now, the Middle Ages are celebrated as a time of immense social change, of outstanding achievements in art and science, and of deep spirituality. The

  • Sales Rank: #6715595 in Books
  • Brand: Brand: World Almanac Library
  • Published on: 2005-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.22" h x .36" w x 7.98" l, .80 pounds
  • Binding: Library Binding
  • 48 pages
Features
  • Used Book in Good Condition

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2 of 2 people found the following review helpful.
Great reference for writers
By Aelnyana
With the errors in the book noted by the other reviewer here aside, this is an excellent, brief and colorful reference book for the writer or student who needs a tidy overview of the title topic. I do wish it went into more detail; for example, what KIND of wagons? How large? Covered or open? Were seats built into them, or onto the front end of them? What kind of "trap" technology made it possible to hitch the animal to the wagon? Sometimes I think research books are written with too much assumption that the audience knows the basics. For city slickers (like myself) however, even current hitching methods would be news. So I wish these research books had more detail of that nature. But again, for a good overview, you can't go wrong with this book.

7 of 7 people found the following review helpful.
How to get a B- on an A+ research paper
By Grandma
Fiona MacDonald has done her usual wonderful job of presenting historical material in a balanced and interesting way to middle school students. The text of "Travel and Trade in the Middle Ages" is engaging from the first page to the last, and the numerous illustrations have been very carefully chosen. This is a real winner - until you get to page 37.

Perhaps the publisher changed editors at the very last minute. Maybe the book was late to the printers. At any rate, on page 37 a caption to an illustration describes the piece as containing a skull to "remind both of their eventual deaths." A nice flight of fancy - but there is no skull in the picture, just a little white dog asleep on a cushion at his mistress' feet. On page 40 you will find another lovely old illustration, together with a caption telling the reader that it shows a "jeweler, a herbalist and a baker (left to right)." Perhaps that is the case, if you eliminate the butcher very clearly carving up a pig, but the far right portion of the picture shows only a man with his hand in a bowl. Nothing of any sort at all to indicate a baker.

One particularly nice feature of "Travel and Trade..." is the inclusion of short quotations from Middle Ages authors every couple of pages, duly footnoted and cited in the back of the book. Wonderful - until page 40. The footnote to the quotation of page 40 is numbered 21. So is the quotation on page 38. The last two quotations are noted as 24 and 25; 22 and 23 are missing from the text. The bibliography, however, contains citations for 22 and 23, but not 24 and 25 - and of course only one 21, leaving the reader to guess which quotation 21 it belongs to.

I am left to conclude only that the person responsible for editing this book suddenly went blind, turning what might have been an A+ book into one that deserves only a B-.

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Rabu, 17 Desember 2014

[A689.Ebook] PDF Download Hush, by Jacqueline Woodson

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Hush, by Jacqueline Woodson

A powerfully moving novel from a three-time Newbery Honor-winning author

Evie Thomas is not who she used to be. Once she had a best friend, a happy home and a loving grandmother living nearby. Once her name was Toswiah.

Now, everything is different. Her family has been forced to move to a new place and change their identities. But that's not all that has changed. Her once lively father has become depressed and quiet. Her mother leaves teaching behind and clings to a new-found religion. Her only sister is making secret plans to leave.

And Evie, struggling to find her way in a new city where kids aren't friendly and the terrain is as unfamiliar as her name, wonders who she is.

Jacqueline Woodson weaves a fascinating portrait of a thoughtful young girl's coming of age in a world turned upside down

A National Book Award Finalist

  • Sales Rank: #45063 in Books
  • Brand: Speak
  • Published on: 2010-01-07
  • Released on: 2010-01-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .57" w x 5.50" l, .40 pounds
  • Binding: Paperback
  • 224 pages

Amazon.com Review
Toswiah Green. Evie Thomas. One girl. Two names. Two lives. When her police officer father witnesses two white cops killing a black boy, he makes the heart-wrenching decision to testify against his former friends. Overnight, thanks to the witness protection program, Toswiah becomes Evie, and she and her family leave their idyllic Denver, Colorado, life far behind. Toswiah's previously happy, lighthearted mother abruptly turns to religion, her big sister makes secret plans to escape the family, and her proud father collapses inward to a depressed, almost catatonic state. Adolescent Toswiah--now Evie--copes as best she can, taking up track and field in school, and trying to fathom who she is, and who she is becoming.

Jacqueline Woodson, Coretta Scott King Award-winning author of Miracle's Boys and many other highly acclaimed titles, delves deep into the confused hearts of a family that has lost its identity. Toswiah, as a young teenager, was already on the verge of shaping her identity as a young woman; with these shattering events, it takes every ounce of strength and courage to keep her core intact. (Ages 13 and older) --Emilie Coulter

From Publishers Weekly
When Toswiah Green's father, witness to a murder, does the right thing by testifying against two fellow police officers, he puts his entire family in danger. Now the Greens have fled for their lives, leaving behind all that is comfortable and familiar for the alien existences laid out by the witness protection program. Shifting between past and present, Woodson's (Miracle's Boys; If You Come Softly) introspective novel probes the complex reactions of 12-year-old Toswiah as she reluctantly reinvents herself as Evie Thomas. Telling lies about her past is as awkward for Toswiah as her adjustment to a new apartment, city and school, but most disturbing of all is the fragmentation of her formerly close-knit family. Toswiah's mother, searching for meaning and for support, becomes an avid Jehovah's Witness. Mr. Green slips into suicidal depression, and Toswiah's older sister, unbeknownst to their parents, arranges to enter college at 15. "Evie/Toswiah Thomas/Green," as the narrator once refers to herself, taps hidden stores of inner strength, ultimately realizing that "I am no longer who I was in Denver, but at least and at most I am." Readers facing their own identity crises will find familiar conflicts magnified and exponentially compounded here, yet instantly recognizable and optimistically addressed. Ages 10-up.

Copyright 2001 Cahners Business Information, Inc.

From School Library Journal
Grade 6-9-When 12-year-old Toswiah Green's father testifies against two fellow Denver police officers in the death of an unarmed 15-year-old African-American boy, her family enters the federal witness protection program in order to ensure their safety. In the blink of an eye, Toswiah Green becomes Evie Thomas and is wrenched from everyone, and everything, familiar to her, assuming a new identity in a new town. Watching her father sink into a deep depression, her mother embrace religion, and her sister struggles to escape into an early admission college, Toswiah/Evie is forced to reinvent herself as well. Sisi Aisha Johnson's sterling narration draws listeners deep into this introspective novel by Jacqueline Woodson (Putnam, 2002) that attempts to answer the question, "How do you know who you are when your past has been taken away?" Shifting smoothly from past to present, Johnson's voice and cadence capture the anguish, anger, and frustration Evie experiences as her world changes from the comfortably familiar to the frightening unknown literally overnight.
Cindy Lombardo, Orrville Public Library, OH
Copyright 2003 Reed Business Information, Inc.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Poignant and pensive
By Laura Lynn Walsh
The descriptions make me want to love this book - the color of each person's skin, the way the mother's hands knead the bread, the thought of having no floor to stand on. These are all wonderful. The gradual development of Toswiah/Evie into her own person is also nice, although I thought she had it pretty much together, even at the start. There isn't much action in this book, and sometimes I felt like the book's plot was over, even before the book had really started. You knew the family had to go into hiding; you knew the mother turned to religion. But the descriptive characteristics of each person carry a lot of the story along. They are worth savoring.

8 of 9 people found the following review helpful.
Amanda B, Miller Place NY
By A Customer
The book I read was Hush, By JacquelineWoodson. This book was a fictional, drama, ethinic book.The most obvious problem in the book was the family's race, being african american.

A summary of the book Hush would be based around a girl whose birthname is Toswiah, which is later changed to Evie when put into the witness protection program. Toswiah faced many problems in this novel. After being used to living in Colorado with her family, grandmother, and having her best friend live down the street, everything changed in a matter of a day. The day and event was a hard decision for her father, who was a police officer. He witnessed a rasict homicide on a teenage boy by his two white partners. After days of thinking of what he should do, he came forward to the police department, who witnessed and interrogated witnesses. In the mean time, the two cops harassed, and called the family. The witness protection program relocated their family, giving them new identities, and they could not come into contact with any of their family or friends from Colorado, until the police department arrested the two cops. Toswiah is forced to reinvent herself and not think of the past at all.

The book was interesting becuase it shows how certain people, even cops, deal with racial problems and how it affects their families. One wrong move by anyone, can affect all parties involved. The book was also inspiring because it shows how a young girl could be so courageous and have the ability to put up with leaving family and friends, to reinvent herself and not say anything about her past.

Possibilities and questions the book raises are how did the family and friends live after they left Colorado? What ever happened to the two cops and their families? How the whole family is affected by this tradgedy? It only fully explains Toswiah and her sisters thoughts and views, but leaves out the effects this had on everyone else.

Arguments I would have against the author would be Toswiah shouldn't, have to deal with rascism and relocation. This also lead to her fathers attempted suicide and the emotional breakdown of her mother,all of which is alot for a child of her age.

The book taught me and affected me by showing me how a person, even a cop cant be trusted. They can give you one impression and totally change it in a matter of seconds. Which can affect the lives of everyday people. It shows how rascism and still exists in society, regardless of the occupation. It also shows how a young girl can deal with adult like problems at a young age, and adapt to different things when needed to.

My overall opinion of the book was it was a very good, interesting, inspiring, and a book some people can relate to, because we are all aware that these problems exist, but not to this extent. Advice I have for potential readers of this book would be to look and see how a young person can relate to such harsh opinions and impressions we have in our own society, and how every little thing can affect a person no matter how minimal.

3 of 3 people found the following review helpful.
Witness Protection Program
By A. Luciano
It has never really mattered to Toswiah's family that they are one of the few black families in town. Her father is a police officer, her mother a teacher, and her older sister is a popular cheerleader. Toswiah has a best friend and she loves Colorado. Everything is going well for them. Even though her father is the only black police officer on the force, the rest of the police officers are as close as family to them.

Then her father witnesses two white officers shoot a black teenager. They say they thought he was in a gang and was reaching for a gun. Toswiah's father saw that his hands were fully visible, up in the air, and the police officers shot him anyway. He agonizes over the decision he has to make. Should he testify in this trial and help to put his fellow police officers in jail? Or should he follow the code of the police officers and turn the other way, pretending he didn't see anything? He decides to testify.

Suddenly Toswiah's world is turned upside-down. Her family leaves their home in the middle of the night. She will now be known as Evie, and moved to a different place to start over as a different person, telling lies instead of history. Being in the witness protection program is hard on the entire family. Toswiah's mother has found religion and lost herself. Toswiah's father sits all day by the window, feeling like he somehow made the wrong decision. Toswiah's sister is angry at everyone, especially her father, and is doing all that she can to get away. Toswiah is proud of her father and thinks he did the right thing, but she is sad that everything is falling apart. Can this family come together and survive this?

I liked Toswiah and her narration, and I liked the flashbacks to the times before the family had to move. I was disappointed in the parents, though. They were set up as such strong people and such good parents before the trial. But then when their children needed them to be stable and supportive, they completely fell apart. It didn't seem to fit with their earlier personalities.

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Selasa, 16 Desember 2014

[F258.Ebook] Download Ebook Shane (BFI Film Classics), by Edward Countryman, Evonne Von Heussen-Countryman

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Shane (BFI Film Classics), by Edward Countryman, Evonne Von Heussen-Countryman

This text looks at the film Shane (1983) directed by George Stevens, then one of Hollywood's most successful film-makers. In the film, Alan Ladd plays the charismatic outsider who defends a community against a predatory gang and, in so doing, transforms the life of a family.

  • Sales Rank: #1927020 in Books
  • Brand: Brand: British Film Institute
  • Published on: 1999-11-26
  • Released on: 2008-01-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.51" h x .21" w x 5.28" l, .30 pounds
  • Binding: Paperback
  • 78 pages
Features
  • Used Book in Good Condition

Review
"Authoritatively and cogently argued in a way that often makes the book hard to put down."--"Sight and Sound

From the Back Cover
Directed by George Stevens, then one of Hollywood's most successful filmmakers, "Shane" (1952) is one of the most revered and imitated of all westerns. Starring Alan Ladd as a mysterious drifter who protects a fledgling community from a predatory gang, "Shane" is one of the definitive reimaginings of America's frontier mythology. This is, remarkably, the first substantial study of "Shane." In it, Edward Countryman and Evonne von Heussen-Countryman show, with reference to a wide range of historical and archival sources, how subtly the film treats some fundamental themes: family, the history of settlement and community in America, violence, and the culture of the gun.

About the Author
Edward Countryman teaches History at Southern Methodist University, Dallas. He has written several books on the American Revolution and was consulting editor for The BFI Companion to the Western. Evonne von Heussen-Countryman is a medical researcher.

Most helpful customer reviews

9 of 9 people found the following review helpful.
Come back, Shane!
By Michael Samerdyke
This is a very thoughtful examination of the classic George Stevens film. The authors trace how the film was made, covering things such as Stevens' annotated copy of the novel, possible casting choices (William Holden as the father!), conditions of filming in Wyoming, scenes cut from the movie (a romantic subplot for Ben Johnson's character), and how the movie was received.
"Shane" tends to polarize fans of the Western. There are those who deeply admire it and those who find it too self-conscious. I fall into the first camp, but I think that anyone interested in the Western genre should find something of interest in this book.

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Minggu, 14 Desember 2014

[W345.Ebook] Ebook Free The Fantasy Illustrator's Technique Book (Quarto Book), by Gary A. Lippincott

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The Fantasy Illustrator's Technique Book (Quarto Book), by Gary A. Lippincott

Here is a heavily illustrated, highly detailed instruction manual for art students seeking professional entry in the fantasy art field. The author guides students from conception of an art idea to publication of the finished work, emphasizing methods for creating magical, mythical, and monstrous characters who inhabit worlds of fantasy and wonder. He starts with practical considerations--setting up a workspace and mastering drawing media, painting media, and digital techniques. Next comes advice on visualizing the details in a story concept, with special attention to. . .

  • Costumes, landscapes, and interiors
  • Subjects taken from history and well-known legends
  • Methods of depicting nature that enhance a fantasy atmosphere
  • Creating visually convincing human, animal, and extraterrestrial characters

    How-to chapters instruct in the details of drawing convincing scenes and characters, using color to create atmosphere, and depicting special effects such as fog and dramatic lighting. A final chapter advises beginning artists on how to promote their work, get to know the fantasy art marketplace, establish contact with art directors and editors, and develop a flourishing career. More than 350 color illustrations.

    • Sales Rank: #463655 in Books
    • Brand: Lippincott, Gary A.
    • Published on: 2007-02-01
    • Original language: English
    • Number of items: 1
    • Dimensions: 11.00" h x .38" w x 8.46" l, 1.19 pounds
    • Binding: Paperback
    • 128 pages
    Features
    • Used Book in Good Condition

    About the Author
    Gary A. Lippincott is an experienced professional illustrator whose work has appeared in graphic novels, young adult fantasy novels, children's picture books, magazines, calendars, and even jigsaw puzzles. He lives in Massachusetts.

    Most helpful customer reviews

    37 of 38 people found the following review helpful.
    A Fine Book for the Young Artist
    By Donald Hazeltine
    This is a light-hearted, profusely illustrated book on the making of fantasy art, with a nice gallery of other artist's works in the back.
    It is, though, not necessarily a book for present illustrators looking to get into the fantasy market; it is really more for a young person just starting out. Artists who are further along with fundamental skills in drawing and painting would benefit more from John Howe Fantasy Art Workshop, a more in-depth and less elementary approach. But for lovers of fantasy art, either book is a pleasure to see.

    29 of 31 people found the following review helpful.
    USEFUL AND DELIGHTFUL BOOK TO OWN.
    By D. Blankenship
    Not being a professional artist by any stretch of the imagination or definition, I found this work to be quite useful. I suspect that much of the information in the book is quite over my head, but I found some very useful hints and pointers in it's pages. The illustrations are great and the text quite concise and understandable. I personally use books such as this for inspiration. It is yet another good tool to add to your collection and I very much recommend it. Do keep in mind though, some may find this book way too advanced for them, others will find it way beneath their skill level. Each of us has to decide that for themselves.

    13 of 14 people found the following review helpful.
    WONDERFULLY IMAGINATIVE GUIDE
    By E. Finney
    Gary Lippincott is one of the best illustrators of our time. His attention to detail using watercolor cannot be matched. This book is a journey into the world of fantasy art with Lippincott as your personal guide. A must for any would-be artist needing a boost with the know-how. Very visual with tons of illustrations that carry you from drawing through to the final coloring. Inspiring for all ages and levels.

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  • [U762.Ebook] Download Nora Roberts Collection: Night Shadow, Night Smoke, Night Shield, Night Shift, Night Shade, Night Moves, by Nora Roberts

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    Nora Roberts Collection: Night Shadow, Night Smoke, Night Shield, Night Shift, Night Shade, Night Moves, by Nora Roberts

    • Sales Rank: #477711 in Books
    • Published on: 2012-01-04
    • Number of items: 6
    • Binding: Paperback

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    Five Stars
    By Kathy
    Good price

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    [A615.Ebook] PDF Download Cockpit Confidential: Everything You Need to Know About Air Travel: Questions, Answers, and Reflections, by Patrick Smith

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    Cockpit Confidential: Everything You Need to Know About Air Travel: Questions, Answers, and Reflections, by Patrick Smith

    A New York Times bestseller

    For millions of people, travel by air is a confounding, uncomfortable, and even fearful experience. Patrick Smith, airline pilot and author of the web's popular Ask the Pilot feature, separates the fact from fallacy and tells you everything you need to know...

    •How planes fly, and a revealing look at the men and women who fly them
    •Straight talk on turbulence, pilot training, and safety
    •The real story on congestion, delays, and the dysfunction of the modern airport
    •The myths and misconceptions of cabin air and cockpit automation
    •Terrorism in perspective, and a provocative look at security
    •Airfares, seating woes, and the pitfalls of airline customer service
    •The colors and cultures of the airlines we love to hate

    Cockpit Confidential covers not only the nuts and bolts of flying, but also the grand theater of air travel, from airport architecture to inflight service to the excitement of travel abroad. It's a thoughtful, funny, at times deeply personal look into the strange and misunderstood world of commercial flying.

    It's the ideal book for frequent flyers, nervous passengers, and global travelers.

    Refreshed and vastly expanded from the original Ask the Pilot, with approximately 75 percent new material.

    • Sales Rank: #42335 in Books
    • Published on: 2013-05-07
    • Released on: 2013-05-07
    • Original language: English
    • Number of items: 1
    • Dimensions: 8.25" h x 5.50" w x 1.00" l, .80 pounds
    • Binding: Paperback
    • 320 pages

    Review
    "Brilliant...A book to be savored and passed to friends."
    -- William Langewiesche, Vanity Fair

    “Nobody covers the airline experience like Patrick Smith. He brings balance and clarity to a subject all too often over-hyped. And, he's a damned good writer.”
    -- Clive Irving, Conde Nast Traveler

    “I wish I could fold up Patrick Smith and put him in my suitcase.� He seems to know everything worth knowing about flying.”
    -- Stephen Dubner, coauthor of Freakonomics

    “Patrick Smith is extraordinarily knowledgeable about modern aviation, and communicates beautifully in English, not in pilot-ese. Th ideal seatmate, companion, writer and explainer.”
    -- Alex Beam, Boston Globe

    “A brilliant writer, Patrick Smith provides a laugh-a-page tour of a misunderstood industry -- a journey into the world of aviation, stripped of the mumbo-jumbo and filled with humor and insight.”
    -- Christine Negroni, aviation correspondent and author of Flying Lessons

    "Patrick Smith doesn’t just know everything about air travel, he possesses a rare knack for explaining it in lucid and witty prose."
    -- Barbara Peterson, Cond� Nast Traveler

    “Patrick Smith is one of the best writers around, period, which certainly makes him by far the best writer ever to have earned a commercial pilot's license. A soaring accomplishment, indispensable for anyone who travels by air, which means everyone.
    -- James Kaplan

    "Wonderful"
    -- Rudy Maxa

    “Patrick Smith manages to demystify the experience and remind us of the magic of aviation. Also he has a great sense of humor – which is critical when you are wedged into seat 14D on a regional jet.”
    -- Chris Bohjalian

    “Brilliantly down to earth and reassuring”
    -- Cath Urquhart, The Times (London)

    �"What a pleasure it is reading Patrick Smith's surprisingly elegant explanations and commentary.� The world needs somebody writing E.B. White simple and sensible about a topic everyone has a question about."���
    -- Berke Breathed

    “Patrick Smith doesn’t just know everything about air travel, he possesses a rare knack for explaining it in lucid and witty prose.”
    -- Barbara Peterson,

    Cond� Nast Travele"Cockpit Confidential is the document that belongs in the seat-back pocket in front of you."���
    -- David Pogue, New York Times correspondent and PBS television host

    About the Author
    Patrick Smith is an airline pilot and the creator of the popular Web site askthepilot.com. His Ask the Pilot column ran regularly on salon.com from 2002 until 2012. He has appeared frequently on television and radio, including on PBS, the Discovery Channel, CNN, the BBC, and National Public Radio. Patrick lives near Boston.

    Charlie Thurston has appeared on stages across the country, including Trinity Repertory Company, Arden Theatre Company, Baltimore Center Stage, Intiman Theater, Chautauqua Theater Company, and Riverside Theatre. Charlie holds an MFA in acting from Brown University/Trinity Rep.

    Excerpt. � Reprinted by permission. All rights reserved.

    Introduction

    The Painter’s Brush

    More than ever, air travel is a focus of curiosity, intrigue, anxiety, and anger. In the chapters that follow I will do my best to provide answers for the curious, reassurance for the anxious, and unexpected facts for the deceived.

    It won’t be easy, and I begin with a simple premise: everything you think you know about flying is wrong. That’s an exaggeration, I hope, but not an outrageous starting point in light of what I’m up against. Commercial aviation is a breeding ground for bad information, and the extent to which different myths, fallacies, and conspiracy theories have become embedded in the prevailing wisdom is startling. Even the savviest frequent flyers are prone to misconstruing much of what actually goes on.

    It isn’t surprising. Air travel is a complicated, inconvenient, and often scary affair for millions of people, and at the same time it’s cloaked in secrecy. Its mysteries are concealed behind a wall of specialized jargon, corporate reticence, and an irresponsible media. Airlines, it hardly needs saying, aren’t the most forthcoming of entities, while journalists and broadcasters like to keep it simple and sensational. It’s hard to know who to trust or what to believe.

    I’ll give it my best shot. And in doing so, I will tell you how a plane stays in the air, yes. I’ll address your nuts-and-bolts concerns and tackle those insufferable myths. However, this is not a book about flying, per se. I will not burden readers with gee-whiz specifications about airplanes. I am not writing for gearheads or those with a predisposed interest in planes; my readers don’t want to see an aerospace engineer’s schematic of a jet engine, and a technical discussion about cockpit instruments or aircraft hydraulics is guaranteed to be tedious and uninteresting―especially to me. Sure, we’re all curious how fast a plane goes, how high it flies, how many statistical bullet points can be made of its wires and plumbing. But as both author and pilot, my infatuation with flight goes beyond the airplane itself, encompassing the fuller, richer drama of getting from here to there―the “theater” of air travel, as I like to call it.

    For most of us who grow up to become airline pilots, flying isn’t just something we fell into after college. Ask any pilot where his love of aviation comes from, and the answer almost always goes back to early childhood―to some ineffable, hard-wired affinity. Mine certainly did. My earliest crayon drawings were of planes, and I took flying lessons before I could drive. Just the same, I have never met another pilot whose formative obsessions were quite like mine. I have limited fascination with the sky or with the seat-of-the-pants thrills of flight itself. As a youngster, the sight of a Piper Cub meant nothing to me. Five minutes at an air show watching the Blue Angels do barrel rolls, and I was bored to tears. What enthralled me instead were the workings of the airlines: the planes they flew and the places they went.

    In the fifth grade I could recognize a Boeing 727-100 from a 727-200 by the shape of the intake of its center engine (oval, not round). I could spend hours cloistered in my bedroom or at the dining room table, poring over the route maps and timetables of Pan Am, Aeroflot, Lufthansa, and British Airways, memorizing the names of the foreign capitals they flew to. Next time you’re wedged in economy, flip to the route maps in the back of the inflight magazine. I could spend hours studying those three-panel foldouts and their crazy nests of city-pairs, immersed in a kind of junior pilot porno. I knew the logos and liveries of all the prominent airlines (and many of the nonprominent ones) and could replicate them freehand with a set of colored pencils.

    Thus I learned geography as thoroughly as I learned aviation. For most pilots, the world beneath those lines of the route map remains a permanent abstraction, countries and cultures of little or no interest beyond the airport fence or the perimeter of the layover hotel. For others, as happened to me, there’s a point when those places become meaningful. One feels an excitement not merely from the act of moving through the air, but from the idea of going somewhere. You’re not just flying, you’re traveling. The full, beautiful integration of flight and travel, travel and flight. Are they not the same thing? To me they are. One can inspire the other, sure, but I never would have traipsed off to so many countries in my free time―from Cambodia to Botswana, Sri Lanka to Brunei―if I hadn’t fallen in love with aviation first.

    If ever this connection struck me in a moment of clarity, it was a night several years ago during a vacation to Mali, in West Africa. Though I could write pages about the wonders and strangeness of West Africa, one of the trip’s most vivid moments took place at the airport in Bamako, moments after our plane touched down from Paris. Two hundred of us descended the drive-up stairs into a sinister midnight murk. The air was misty and smelled of woodsmoke. Yellow beams from military-style spotlights crisscrossed the tarmac. We were paraded solemnly around the exterior of the aircraft, moving aft in a wide semicircle toward the arrivals lounge. There was something ceremonial and ritualistic about it. I remember walking beneath the soaring, blue-and-white tail of Air France, the plane’s auxiliary turbine screaming into the darkness. It was all so exciting and, to use a politically incorrect word, exotic. And that incredible airplane is what brought us there. In a matter of hours, no less―a voyage that once would have taken weeks by ship and desert caravan.

    The disconnect between air travel and culture seems to me wholly unnatural, yet we’ve seen a virtually clean break. Nobody gives a damn anymore how you get there―the means coldly separated from the ends. For most people, whether bound for Kansas or Kathmandu, the airplane is a necessary evil, incidental to the journey but no longer part of it. An old girlfriend of mine, an artist who would have no trouble appreciating the play of light in a seventeenth-century painting by Vermeer, found my opinions utterly perplexing. Like most people, she analogized airplanes merely as tools. The sky was the canvas, she believed; the jetliner as discardable as the painter’s brush. I disagree, for as a brush’s stroke represents the moment of artistic inspiration, what is travel without the journey?

    We’ve come to view flying as yet another impressive but ultimately uninspiring technological realm. There I am, sitting in a Boeing 747, a plane that if tipped onto its nose would rise as tall as a 20-story office tower. I’m at 33,000 feet over the Pacific Ocean, traveling at 600 miles per hour, bound for the Far East. And what are the passengers doing? Complaining, sulking, tapping glumly into their laptops. A man next to me is upset over a dent in his can of ginger ale. This is the realization, perhaps, of a fully evolved technology. Progress, one way or the other, mandates that the extraordinary become the ordinary. But don’t we lose valuable perspective when we begin to equate the commonplace, more or less by definition, with the tedious? Aren’t we forfeiting something important when we sneer indifferently at the sight of an airplane―at the sheer impressiveness of being able to throw down a few hundred dollars and travel halfway around the world at nearly the speed of sound? It’s a tough sell, I know, in this age of long lines, grinding delays, overbooked planes, and inconsolable babies. To be clear, I am not extolling the virtues of tiny seats or the culinary subtlety of half-ounce bags of snack mix. The indignities and hassles of modern air travel require little elaboration and are duly noted. But believe it or not, there is still plenty about flying for the traveler to savor and appreciate.

    I’m hesitant to say that we’ve developed a sense of entitlement, but it’s something like that. Our technological triumphs aside, consider also the industry’s remarkable safety record and the fact that fares have remained startlingly cheap, even with tremendous surges in the price of fuel. Sure, years ago, passengers could enjoy a five-course meal served by a tuxedoed flight attendant before retiring to a private sleeping berth. My first airplane ride was in 1974: I remember my father in a suit and tie and double helpings of fresh cheesecake on a ninety-minute domestic flight. The thing was, getting on a plane was expensive. This will be lost on many people today, young people especially, but once upon a time, college kids didn’t zip home for a few days over Christmas. You didn’t grab a last minute seat for $99 and pop over to Las Vegas―or to Mallorca or Phuket―for a long weekend. Flying was a luxury, and people indulged sporadically, if at all. In 1939, aboard Pan Am’s Dixie Clipper, it cost $750 to fly round-trip between New York and France. That’s equal to well over $11,000 in today’s money. In 1970, it cost the equivalent of $2,700 to fly from New York to Hawaii.

    Things changed. Planes, for one, became more efficient. Aircraft like the 707 and the 747 made long-haul travel affordable to the masses. Then the effects of deregulation kicked in, changing forever the way airlines competed. Fares plummeted, and passengers poured in. Yes, flying became more aggravating and less comfortable. It also became affordable for almost everybody.

    I have learned never to underestimate the contempt people hold for airlines and the degree to which they hate to fly. While some of this contempt is well deserved, much of it is unfair. Today a passenger can, in a backpack and flip-flops, traverse the oceans for the equivalent of a few pennies per mile, in near-perfect safety and with an 85 percent chance of arriving on time. Is that really such an awful way to travel? Meanwhile, if you’re that insatiably eager to revisit those luxurious indulgences of aviation’s golden years, well, you can do that too, by purchasing a first or business class ticket―for less than what it cost fifty years ago.

    Most helpful customer reviews

    87 of 93 people found the following review helpful.
    Often Opinionated, Occasionally Pedantic, Always Entertaining
    By takingadayoff
    Expecting an update of Patrick Smith's earlier book, Ask the Pilot: Everything You Need to Know About Air Travel, I was surprised to see a completely different book. Yes, he still answers questions that passengers are curious about, such as how dangerous is turbulence, and what is in the air supply in the cabin, but he goes into many other topics that are of interest to people who enjoy flying. He discusses airline logos and liveries (the paint jobs on the planes) and airline names.

    Smith is often pedantic and always opinionated, and it all makes for an entertaining book. He has some definite thoughts about the service on airlines, which is a little surprising, since he is a pilot for a major U.S. airline (but he doesn't say which one), and he also has some comments about passengers, which are usually less strident, such as his puzzlement over why sudoku is so popular. Just don't get him started on airport security.

    One important reason Smith's book may appeal to more people than a straightforward question and answer book would, is that Smith is not only an industry professional, but he's often a passenger, traveling for fun, so he knows what it's like to sit in coach. This dual point of view, which is apparently not very common among airline employees, many of whom don't care to travel on their own time or dime, gives Smith more perspective, so he's not just the lecturer here, he knows your travelin' pain.

    Not only does he travel, he enjoys airports, flying, and seeing new places. He intersperses his question and answer sections with musings on travel. Most entertaining, in my opinion, were his ramblings on questions of design, such as airline logos and slogans.

    Smith is a little too honest to completely allay your fears about flying, but I appreciate the straight talk and it gives him a lot more credibility than if he told you not to worry, he's got it covered up in the cockpit. He does have it covered, but there are no guarantees, and he's weathered a couple of hairy experiences.

    Although you might want to save those sections for when you're on terra firma, much of the book would be quite diverting while you're stuck in the middle seat.

    41 of 43 people found the following review helpful.
    For the real airplane lovers...
    By Jill Meyer
    Are you a nervous flyer? Are you someone who'd rather drive than fly? Are you someone who doesn't get excited looking at the lights of planes as they line up in the night sky outside a busy airport, coming in for a landing, one after the other? On the other hand, do you know what the terms "OAG", "triple 7", and "Runway Two-niner" refer to? If you're the latter and not the former, you'll enjoy Patrick Smith's new book, "Cockpit Confidential".

    Patrick Smith - the name "Smith" is a nom-de-plume - is an airline pilot and blogger, who operates out of Boston. He used to blog for SALON magazine but I'm not sure he still writes for them. In any case, he has his own website, askthepilot.com, and this new book. His previous one, "Ask the Pilot: Everything You Need to Know About Flying", was published in 2004. Smith has been been a pilot and in love with all forms of air travel since, as a child living in Boston, he'd sit on the Revere beach and watch in awe as planes landed at nearby Logan Airport. He grew up to make a living as first a pilot for a commuter carrier - flying up and down the Atlantic seaboard and all around New England - and then he "graduated" to flying cargo jets for a freight airline. Finally, he's now flying for an international passenger airline. (I think it might be Delta, from what I've been able to glean from his writing. Or, if not, American.) He has been subjected to layoffs during his career and is quite honest about how he - and other pilots - struggle with the on-going airline politics and economic ups-and-down that make a pilot's career somewhat haphazard.

    Okay, Patrick Smith and I are airline fanatics. And, probably so are most people reading this review. Most of us fly a lot - Smith is lucky that he gets paid to do so - and we like to see new places. We're also fascinated by the arcane of the airline industry - old tickets from the 1940's and clips from newsreels of passengers boarding a plane in the 1950's outfitted in suits and ties and hats. We know what local airlines were swallowed up by what larger airlines, and we know airport codes. Patrick Smith is talking to US in his book. We "get" him, and he "gets" us.

    His new book talks about his own, long love of flying. He writes about how difficult it is to "catch on" in the airline industry, and how that industry has weathered crashes - both physical and economic - and the changing requirements of the TSA. Smith doesn't like the TSA - who does? - and is not shy in giving some recommendations which might not please the politically-correct among us. Looking at the September 11th terrorist attacks in particular, he talks about how the TSA and other government groups reacted by imposing the wrong "rules" in the hopes of making airplane travel "safer". "Safer" than what? Smith recounts the many terror attacks and hijackings of airplanes and airports in the 1970's and 1980's that we've seem to have forgotten. Is the taking away of a butter knife from the flight bag of pilot Patrick Smith by over-zealous TSA officials going to make the plane and the passengers Smith is going to fly be any "safer"? Hell, no. And what about those stupid restrictions on 4oz of toothpaste and mouthwash? Good lord, it's half the battle of flying today just getting through TSA security.

    Author/pilot Patrick Smith covers Sept 11th and many other subjects in his new book. It's not a book most readers will be particularly interested in, but for those of us who read his blog, look-in-awe at his YouTube videos of night-landings at JFK taken from the cockpit, and enjoy flying and the history of flying, this book's for us.

    21 of 22 people found the following review helpful.
    Not a frequent flyer? Buy this book.
    By Fast Eddy
    If you are a road warrior and aviation aficionado, as I am, you won't learn much that is new from this very easy to read tome. On the other hand, if you don't know much about how the airline industry works or what goes on in the cockpit, you will learn a great deal. The author covers a lot of ground and never gets too technical for the average reader. Well worth the price of the Kindle edition.

    See all 445 customer reviews...

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